About Me
I studied on the BA honours course in Fine Art at Chelsea School of Art.
Later I trained as an actor gaining a Masters in Classical Acting at Royal Central School of Speech and Drama with distinction.
Throughout my career, I’ve had the good fortune to work on some great projects from theatre and costume design to performance and art. I’ve worked as actor in experimental theatre venues such as The Vaults Festival, Casa Latin American Festival, Theatre Delicatessen; I’ve worked on screen for Bafta Award nominated films. I have designed costumes and sets for multiple shows at Royal Central School of Speech and Drama, British American Drama Academy, London Fringe Theatres as well as assisting on fashion shoots for Vogue Australia in Paris.
CV
Costume Designer and Supervisor
Experience
This Restless House – The Bough Breaks, Zinnie Harris
Royal Central School of Speech and Drama
Directors Morwenna Rowe and Lucinda Dawkins
Adaptation of Euripides’ Oresteia set in 1980s. A domestic drama contained within the world of the palace.
This Restless House – Electra and Her Shadow, Zinnie Harris
Royal Central School of Speech and Drama
Director Morwenna Rowe
Adaptation of Euripides’ Oresteia part three where the palace has become a Psychiatric ward set in 1990s
Arden of Faversham, Shakespeare and Thomas Watson
British American Drama Academy
Director Robert Price
Lynchian world set in early 1990s
First Documented True Crime Play
The Puritan
British American Drama Academy
Director Jonathan Broadbent
Thomas Middleton
Early 17th Century mixed with Clownish colourful interpretations
Nod to 70s Monty Pythonesque aesthetic
Caligula, Camus
British American Drama Academy
Director Penelope Cherns
Dystopian world with hints of Ancient Rome modernised into a uniformed androgynous look of overcoats and kilts.
Hecuba, Euripides translation by Tony Harrison
British American Drama Academy
Director Tristan Fynn-Aiduenu
A world with two distinctive waring groups
Ecclectic military costumes and rugged worn clothes with vestiges of royalty.
Volpone, Johnson
Central School of Speech and Drama, Classical Acting production
Director Anna Healey
Studio production set loosely in 1604 with a nod to Commedia dell’arte and french clown.
Government Inspector, Gogol
CSSD Classical Acting production
Director Anna Healey
1830’s Russian aesthetic and modern elements of clothing creating a heightened stylised look.
When We Dead Awaken, Ibsen
The Space, London Fringe Venue
Director Nathalie Adlam, Les Foules Theatre Company
Set and Costume Design
Modern interpretation with elements of 70s Woodstock
As You Like It, Shakespeare
CSSD Classical Acting production
Director Ben Naylor
Edwardian aesthetic for Arden offset against a modern Court of Duke Frederick
Costume Supervisor The Baker’s Wife
Director Joe Deer
CSSD Musical Theatre Masters Production
1935 French village aesthetic
Assisted on Vogue Australia Shoot in Paris
Vogue Australia shoot in Paris for January Issue, 2014
Supported the work of Stylists Jilian Davison and Christine Centenera
The Broken Heart, Ford
CSSD Classical Acting production
Director Ben Naylor
Jacobean informed costume with Baroque Italian influence
Three Sisters, Chekhov
CSSD Classical Acting production
Director Ben Naylor
Russian 1890’s period clothes
Antony and Cleopatra, Shakespeare
Set and Costume Designer
CSSD Classical Acting production
Director Ben Naylor
Metallic dark modern military aesthetic contrasted with Japanese inspired flowing shapes and decorative fabrics.
The Winter’s Tale, Shakespeare
Set and Costume Designer
CSSD Classical Acting production
Director Ben Naylor
Edwardian period clothes including circus clown characters
